Kagoule + Do Nothing + YUNG KP

PCL Presents
+ Do Nothing & Yung KP
Friday 8 February
Broadcast, Glasgow
Doors 7pm
18+ Only
Tickets Available via See Tickets & in store at Tickets Scotland

Nottingham trio Kagoule are pleased to reveal their new single ‘It’s Not My Day’ today, which is out now on all good digital service providers. The track is the latest single from forthcoming LP, Strange Entertainment, set for release on 26th October 2018 on Alcopop! Records.With some time away from the spotlight to consolidate their early achievements and think about the direction they were heading after parting ways with their previous label, Strange Entertainment sees the band finally spinning together their disparate influences into a record that attempts to capture the sum of their parts, and is very much a statement of where Kagoule are pleased to find themselves artistically now they’re at the helm of their own destiny.“We always felt this pressure early on to decide what type of band we were going to be and this record is an exercise in our self-confidence as a band by being all of them at once,” comments front man Cai Burns“We think we’ve written an album that doesn’t have a direct comparison in guitar music. Lyrically, I think this album is much more mature. I’ve found myself writing songs as a healing process for certain events or to capture moments that I don’t want to forget. I still mask them in fantasy for the fun of it but the topics of each song are more personal and the lyrics far more direct.”Completed by bassist Lucy Hatter and drummer Lawrence English, the band are disarmingly relaxed about their success to date. Previously sequestered in Nottingham and for the most part unaware of the growing buzz around the band, following the critical plaudits and acclaim heaped on their 2015 debut Urth, Kagoule were wholeheartedly adopted by the flourishing Brighton rock scene. However, the trio found themselves wary of being consumed by it entirely, keeping their distance and taking from it what they felt the band needed to grow.“We were all very young and I think we allowed ourselves to be mollycoddled a bit too much. It took a few years for us to realise we had to take control of it for ourselves,”continues Burns “Urth was very much an ode to grunge I think. Although I maybe didn’t realise at the time, when I listen back the early 90’s influences are plastered all over it. Since then we’ve branched out on what we listen to and a huge amount of different influences have crept in. With the guitar playing I wanted to take it more into the post-punk world. The bass lines are groovier and the drumming is just straight up weird.”New album Strange Entertainment was produced by MJ Hookworms and mixed by Tarek Musa from Spring King in two separate sessions “because we ran out of money”, admits Burns in typically honest fashion “Working with MJ was great. He understood where we were coming from and instantly knew we didn’t want to be balls out rock music – he put forward some great ideas for the songs and his input made a big difference to the record.” It took the band another year or so to scrape together funds for Musa’s mixing sessions, but Burns insists the results were worth the wait,“Tarek did an amazing job working with something he hadn’t recorded himself. We’d recently been on tour with Spring King so I think that really helped him know what to do with it sonically.”
For more information please contact Jamie Otsa at Wall of Sound PR –jamie@wallofsoundpr.co.ukIn a time where Burns himself admits that he’s unsure as to whether the political climate has been good for music or not, the album is indicative of a pervading sense of lack of direction and unease among the younger generation. “Great creativity is part of trying to make change,”he says “but I can’t see anyone trying that hard to change anything. I think a lot of people are feeling lost and the youth especially are struggling to see a future for themselves.”Taking musical cues from the likes of American composer and polymath Arthur Russell, and drawing influence from science-fiction and fantasy storytelling for his lyrics, Burns says that the new album is a celebration of trying to achieve something fully realised and artistically ambitious on a shoestring budget. Written on a single acoustic guitar, demoed on GarageBand, and worked up by the bandto the finished studio product, Strange Entertainmentis a very modern record with a thoroughly classic mindset.“I wanted to write songs that stood up for themselves in the most simple of forms,”Burns expands on the process “I think there’s something beautiful about restrictions in music, and I’ll always prefer a lo-fi attempt at a big idea. When I’m not playing with Kagoule I tend to play folk music; Bert Jansch, John Fahey, that kind of thing. Strangely enough a lot of thatfolk guitar seeps into Kagoule riffs but I don’t think it’s too noticeable.”As with the faltering first steps of any new band, the last few years have been a whirlwind of strange new experiences for Kagoule, but with the advent of Strange Entertainmentwe find a band who are finally feeling as though they’ve come into their own with a new sense of purpose, and a sharpened focus on exactly what makes them tick.Whether it was playing after The Dandy Warhols at a festival on a tiny island by the sea in Norway; appearing at Glastonbury; being attacked by a gang of quad bikers on the motorway; sharing stages with Johnny Marr, The Wytches, Iceage, METZ, Sebadoh and Drenge; or achieving acclaim from Rolling Stone, NME, Guardian, BBC 6Music, BBC Radio 1 -it’sall been a steep learning curve, but a thoroughly enjoyably wild ride.“Being in a band is full of those crazy moments,” reflects Burns on their journey so far “The band is all we know! We’ve done it for so long now, I couldn’t imagine not being in it. It’s like a second family and I think nothing can break that.”The band have enjoyed previous press support across the board from DIY, The Line of Best Fit, Clash, Kerrang! Magazine, Upset, Dork, Punktastic et al, with previous singles hitting the Evening Playlist on Radio X twice in a row—including two live sessions for John Kennedy—plus an addition to the Amazing Radio B list, and spot plays from BBC Radio 1 and BBC Radio 6 Music